TAKE IT FROM THE MANThe Brian Jonestown Massacre's obsession with the Rolling Stones continues unabated on the brilliant Take It From the Man!; where the group resurrected psychedelic era excesses on the previous Their Satanic Majesties' Second Request, here they jump further back in time to the Stones' mid '60s period, with even more superlative results. From the opening "Vacuum Boots" onward, Take It From the Man! is gritty, swaggering R&B influenced rock, delivered
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The Brian Jonestown Massacre's obsession with the Rolling Stones continues unabated on the brilliant Take It From the Man!; where the group resurrected psychedelic-era excesses on the previous Their Satanic Majesties' Second Request, here they jump further back in time to the Stones' mid-'60s period, with even more superlative results. From the opening "Vacuum Boots" onward, Take It From the Man! is gritty, swaggering R&B-influenced rock, delivered with remarkable assurance and attitude; singer Anton Newcombe is half madman and half shaman, and he commands each delirious moment with absolute mastery, emerging not so much a disciple of Mick Jagger but as a serious threat to the throne. Tracks like "Who?," "(David Bowie I Love You) Since I Was Six," and the epic finale, "Straight up and Down," are simply amazing, evoking rock's golden age without ever disintegrating into slavish devotion -- clearly, the BJM is a group that believes in killing their idols, and their intensity begs the question: just who is the World's Greatest Rock & Roll Band again? ~ Jason Ankeny
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