Discover the captivating world of 'En Passant: Impressionism in Sculpture' – a groundbreaking hardback book by author Alexander Eiling. This beautifully designed volume, measuring 230 x 280 mm and comprising 360 pages, explores the intersection of Impressionism and sculpture. Since Edgar Degas unveiled his iconic piece, Little Dancer Aged Fourteen, at the Sixth Impressionist Exhibition in Paris in 1881, the fascinating discourse on Impressionist sculpture has evolved. This essential collection delves deep into what it means to embody the defining features of Impressionist painting—light, color, movement, and transience—in three-dimensional form. Through stunning depictions of renowned artists such as Edgar Degas, Auguste Rodin, and Medardo Rosso, readers will gain insight into the innovative artistic processes that blur the boundaries between various mediums. Whether you're a scholar, an art enthusiast, or seeking a unique gift, 'En Passant: Impressionism in Sculpture' promises to enrich your understanding of the Impressionist movement. Enhance your library with this exceptional addition; it is a must-have for anyone interested in art history and sculpture appreciation. Enjoy convenient shipping options only available in NZ, ensuring your purchase arrives promptly without unexpected import charges or taxes.

CONDITION: Brand New
Dimensions: 230 x 280 mm
Pages: 360
Bind: hardback
Author: Alexander Eiling Publisher: Prestel Publishing
Publication Date: 08-05-2020

Is there such a thing as "Impressionist sculpture"? Since 1881 when Edgar Degas presented Little Dancer Aged Fourteen at the Sixth Impressionist Exhibition in Paris, the term has existed along with the discourse around it. This book is dedicated to the extensive examination of the question what it would mean to translate the characteristics of Impressionist painting, such as light, colour, ephemerality, and the ethereal, into sculpture. The book features a selection of artists including Edgar Degas, Auguste Rodin, and Medardo Rosso and examines the artistic processes that traverse genres in which one medium is enhanced by others. This valuable, fascinating resource offers a unique addition to the scholarship on the Impressionist era.

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